iorewlevel.blogg.se

Avid media composer 8.0
Avid media composer 8.0









  1. AVID MEDIA COMPOSER 8.0 UPDATE
  2. AVID MEDIA COMPOSER 8.0 FULL
  3. AVID MEDIA COMPOSER 8.0 PRO
  4. AVID MEDIA COMPOSER 8.0 SOFTWARE

Additionally, station groups will now be able to consolidate functions by increasing the range of material available for users to share across geographically-dispersed newsrooms. A new streamlined interface allows users to browse, log and shot list media in three unique viewing modes, via a single screen, and easily toggle between views -ultimately offering more time savings and reduced production costs. WAN Workflow with Interplay Access: Enables journalists, producers and editors to remotely search and work with media assets across multiple workgroups ‘ no longer requiring them to return to the edit suite/news station to assemble stories.Lower bandwidth streaming proxies enable Interplay workgroup members to work with media at anytime from anywhere, using a qualified Mac or PC with a 1Mb/s Internet connection. The new version empowers broadcasters and post facilities to extend collaborative productions beyond the four walls of a facility – enabling customers to consolidate production operations as well as manage and contribute to projects when working remotely.

AVID MEDIA COMPOSER 8.0 UPDATE

With more than 600 Interplay sites deployed worldwide, Avid has enhanced its industry-leading production asset management solution by delivering the most significant update of the product to date: Interplay 2.0. Production Asset Management ‘ Extending Flexible Anytime, Anywhere Collaboration

AVID MEDIA COMPOSER 8.0 PRO

  • New Production Suite updates: Include new versions of Boris Continuum Complete, Sorenson Squeeze and SmartSound SonicFire Pro to provide customers with more creative possibilities and media delivery options.
  • AVID MEDIA COMPOSER 8.0 FULL

    Customers can now directly access GFCAM media, including full metadata, and begin their work immediately without transcoding, copying or re-wrapping the material.

  • Avid Media Access (AMA) enhancements: Delivers native support for the popular Ikegami GFCAM 100 mb/s format.
  • Mix and Match capabilities: Provides customers with the flexibility to use media sources of different frame rates and resolutions (SD and HD) in the same timeline – eliminating external transcoding and time-consuming frame-rate conversions.
  • Mac support for Pro Tools Video Satellite: Offers customers the ability to work with Mac or PC when using Media Composer as a video satellite with Pro Tools systems to deliver frame-accurate, synchronized and full resolution monitoring of video.
  • Panasonic AVC-I encoding support: Allows customers to deliver final masters in Panasonic’s AVC-I format while working natively in the Avid editing system from acquisition to final delivery.
  • Monitoring HD and SD cross-and-down converted formats from 1080p24 masters: Enables customers using Mojo DX or Nitris DX hardware to view HD material on an SD monitor, eliminating the need to incur additional hardware costs.
  • Improved Stereoscopic 3D editing: Enables customers to view 3D material side by side in addition to over/under – ensuring greater accuracy of editing decisions and a wider choice of cost-effective monitors for stereoscopic viewing.
  • AVID MEDIA COMPOSER 8.0 SOFTWARE

    Media Composer (named the preferred tool for acclaimed editors by the American Cinema Editors (A.C.E.)), Symphony and NewsCutter software now offer customers a wide array of new features designed to streamline the production process including: Industry Standard Editing Tools ‘ Fast, Reliable, More Native Formats











    Avid media composer 8.0